Publications

Fabian C. Moss, Néstor Nápoles López, Maik Köster, David Rizo (2022). Challenging sources: a new dataset for OMR of diverse 19th-century music theory examples. Proceedings of the 4th International Workshop on Reading Music Systems (WoRMS 2022).

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Fabian C. Moss, Giovanni Affatato, Daniel Harasim (2022). Phantom Curves: Scientific Discovery through Interactive Music Visualization. DLfM2022.

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Johannes Hentschel, Fabian C. Moss, Andrew McLeod, Markus Neuwirth, Martin Rohrmeier (2022). Towards a Unified Model of Chords in Western Harmony. MEC Proceedings 2021.

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Fabian C. Moss, Markus Neuwirth, Martin Rohrmeier (2022). The line of fifths and the co-evolution of tonal pitch-classes. JMM.

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Cédric Viaccoz, Daniel Harasim, Fabian C. Moss, Martin Rohrmeier (2022). Wavescapes: A visual hierarchical analysis of tonality using the discrete Fourier transform. Musicae Scientiae.

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Fabian C. Moss, Martin Rohrmeier (2021). Discovering Tonal Profiles with Latent Dirichlet Allocation. Music & Science, 4, 1-15.

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Fabian C. Moss, Markus Neuwirth (2021). FAIR, Open, Linked: Introducing the Special Issue on Open Science in Musicology. Empirical Musicology Review, 16(1), 1-4.

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Martin Rohrmeier, Fabian C. Moss (2021). A Formal Model of Extended Tonal Harmony. Proceedings of the 22nd International Society for Music Information Retrieval Conference.

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Johannes Hentschel, Fabian C. Moss, Markus Neuwirth, Martin Rohrmeier (2021). A semi-automated workflow paradigm for the distributed creation and curation of expert annotations. Proceedings of the 22nd International Society for Music Information Retrieval Conference.

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Fabian C. Moss, Maik Köster, Melinda Femminis, Coline Métrailler, François Bavaud (2021). Digitizing a 19th-Century Music Theory Debate for Computational Analysis. CHR 2021: Computational Humanities Research Conference, November 17–19, 2021, Amsterdam, The Netherlands.

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Steffen A. Herff, Fabian C. Moss, Martin Rohrmeier (2021). Evidence for cognitive tonal hierarchies in cadential but not scalar contexts. Open Science Framework.

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Elia Anzuoni, Sinan Ayhan, Federico Dutto, Andrew McLeod, Fabian C. Moss, Martin Rohrmeier (2021). A Historical Analysis of Harmonic Progressions Using Chord Embeddings. Proceedings of the 18th Sound and Music Computing Conference.

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Daniel Harasim, Fabian C. Moss, Matthias Ramirez, Martin Rohrmeier (2021). Exploring the foundations of tonality: statistical cognitive modeling of modes in the history of Western classical music. Humanities and Social Sciences Communications, 8(5), 1-11.

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Robert Lieck, Fabian C. Moss, Martin Rohrmeier (2020). The Tonal Diffusion Model. Transactions of the International Society of Music Information Retrieval, 3(1), 153-164.

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Fabian C. Moss, Willian Fernandes de Souza, Martin Rohrmeier (2020). Harmony and Form in Brazilian Choro: A Corpus-Driven Approach to Musical Style Analysis. Journal of New Music Research 49(5).

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Fabian C. Moss, Markus Neuwirth, Martin Rohrmeier (2020). TP3C. Zenodo.

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Fabian C. Moss (2019). Transitions of Tonality: A Model-Based Corpus Study. Doctoral Dissertation. École Polytechnique Fédérale de Lausanne, Switzerland.

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Tudor Popescu, Monja Pascale Neuser, Markus Neuwirth, Fernando Bravo, Wolfgang Mende, Oren Boneh, Fabian C. Moss, Martin Rohrmeier (2019). The pleasantness of sensory dissonance is mediated by musical style and expertise. Scientific Reports, 9(1).

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Kristoffer Landnes, Liana Mehrabyan, Victor Wiklund, Robert Lieck, Fabian C. Moss, Martin Rohrmeier (2019). A Model Comparison for Chord Prediction on the Annotated Beethoven Corpus. Proceedings of the 16th Sound & Music Computing Conference (SMC 2019).

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Fabian C. Moss, Markus Neuwirth, Daniel Harasim, Martin Rohrmeier (2019). Statistical characteristics of tonal harmony: A corpus study of Beethoven’s string quartets. PLOS ONE, 14(6).

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Fabian C. Moss, Willian Fernandes Souza, Martin Rohrmeier (2018). Choro Songbook Corpus. Zenodo.

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Markus Neuwirth, Daniel Harasim, Fabian C. Moss, Martin Rohrmeier (2018). The Annotated Beethoven Corpus (ABC): A Dataset of Harmonic Analyses of All Beethoven String Quartets. Frontiers in Digital Humanities.

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Fabian C. Moss (2017). [Review of David Huron. Voice Leading: The Science behind a Musical Art]. Music Theory & Analysis.

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Fabian C. Moss (2014). Tonality and functional equivalence: A multi-level model for the cognition of triadic progressions in 19th century music. International Conference of Students of Systematic Musicology - Proceedings.

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Fabian C. Moss (2012). Theorie der Tonfelder und Neo-Riemannian Theory.

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Fabian C. Moss (2011). Albert Simons Theorie der Tonfelder und John Cloughs Flip-Flop Circles im Vergleich. Zenodo.

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