A Formal Model of Extended Tonal Harmony


Extended tonality is a central system that characterizes the music from the 19th up to the 21st century, including styles like popular music, film music or Jazz. Developing from classical major-minor tonality, the harmonic language of extended tonality forms its own set of rules and regularities, which are a result of the freer combinatoriality of chords within phrases, non-standard chord forms, the emancipation of dissonance, and the loosening of the concept of key. These phenomena posit a challenge for formal, mathematical theory building. The theoretical model proposed in this paper proceeds from Neo-Riemannian and Tonfeld theory, a systematic but informal music-theoretical framework for extended tonality. Our model brings together three fundamental components: the underlying algebraic structure of the Tonnetz, the three basic analytical categories from Tonfeld theory (octatonic and hexatonic collections as well as stacks of fifths), and harmonic syntax in terms of formal language theory. The proposed model is specified to a level of detail that lends itself for implementation and empirical investigation.

Proceedings of the 22nd International Society for Music Information Retrieval Conference
Fabian C. Moss
Fabian C. Moss
Research Fellow in Cultural Analytics

Fabian C. Moss is a Research Fellow in Cultural Analytics at University of Amsterdam (UvA). He was born in Cologne, Germany, and studied Mathematics and Educational Studies at University of Cologne, and Music Education (Major Piano) and Musicology at Hochschule für Musik und Tanz, Köln. He obtained is PhD in Digital Humanities from École Polytechnique Fédérale de Lausanne (EPFL). Working with large symbolic datasets of musical scores and harmonic annotations, he is primarily interested in Computational Music Analysis, Music Theory, Music Cognition, and their mutual relationship.