Fabian C. Moss
Fabian C. Moss
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music theory
Revisiting Tong Yun San Gong theory in Chinese music: a corpus study of Chinese folksongs
This paper disentangles the interrelations of three fundamental concepts in Chinese music theory, namely, 均 (
Yun
), 宫 (
Gong
), and 调 (
Diao
), and examines which scales can be derived from them. This paradigm is then applied to the analysis of a Chinese folk song corpus.
Jun 15, 2022 12:00 AM — 12:00 AM
University of Sheffield
Shuxin Meng
,
Fabian C. Moss
,
Martin Rohrmeier
Digitizing a 19th-Century Music Theory Debate for Computational Analysis
Nov 18, 2021 3:05 PM
Fabian C. Moss
,
Maik Köster
,
Melinda Femminis
,
Coline Métrailler
,
François Bavaud
Digitizing a 19th-Century Music Theory Debate for Computational Analysis
Fabian C. Moss
,
Maik Köster
,
Melinda Femminis
,
Coline Métrailler
,
François Bavaud
Digitizing the Dualism Debate - a case study in the computational analysis of historical music theory sources
Sep 19, 2021 1:00 PM — Sep 27, 2021 5:30 PM
EPFL
Fabian C. Moss
Transitions of Tonality: Perspectives on the Historical Changes of Tonal Pitch Relations from Computational Musicology, Music Theory, and the Digital Humanities.
Nov 29, 2019 10:00 AM — 12:00 PM
University of Cologne, Musikwissenschaftliches Institut, Alter Seminarraum (1.408)
Fabian C. Moss
Theorie der Tonfelder und Neo-Riemannian Theory
Fabian C. Moss
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