Fabian C. Moss
Fabian C. Moss
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Corpus Studies
Corpus Research and Choro: Potential and Challenges for Digital Methods
Apr 3, 2024 2:00 PM — Mar 3, 2024 3:30 PM
Universidade Federal do Rio de Janeiro
Fabian C. Moss
Digital Choro
The project “Digtial Choro: Exploring the potential of digitization and computational models for Brazil’s musical cultural heritage” aims to utilize digitization and data-driven methods to develop computational models of the complex genesis of Choro, a Brazilian instrumental music genre.
Fabian C. Moss
MonodiKit: A data model and toolkit for medieval monophonic chant
Nov 10, 2023 2:00 PM — 3:30 PM
Biblioteca del Conservatorio di Milano
Tim Eipert
,
Fabian C. Moss
MonodiKit: A data model and toolkit for medieval monophonic chant
We present MonodiKit, a Python library for the analysis and processing of medieval chant documents.
Tim Eipert
,
Fabian C. Moss
Counting notes: Research questions and methods in music corpus studies
Oct 12, 2023 10:15 AM — 11:45 AM
Université de Lausanne
Fabian C. Moss
Töne zählen: Forschungsfragen und Methoden musikwissenschaftlicher Korpusstudien in historischer und epistemologischer Perspektive
Jun 28, 2023 6:00 PM — 7:30 PM
Leibniz-Institut für Europäische Geschichte, Mainz, Germany
Fabian C. Moss
Musik Er-Zählen: Einblicke in die digitale Korpusforschung
Jun 20, 2023 6:15 PM — 7:45 PM
Würzburg, Germany
Fabian C. Moss
Respondent to Sanja Kiš Žuvela: Musical Terminology, Digital Corpus Management and Translation
Feb 9, 2023 6:00 PM — 8:00 PM
online
Fabian C. Moss
Representing Harmony
Harmony is an essential component of Western music at least since the middle ages up to the present day. In recent decades, musicologists have engaged more and more with computational methods and created machine-readable datasets in order to study harmony on a larger scale.
Fabian C. Moss
,
Johannes Hentschel
,
Markus Neuwirth
,
Martin Rohrmeier
Discovering Tonal Profiles with Latent Dirichlet Allocation
In this study, we use the Latent Dirichlet Allocation (LDA) topic model to discover tonal structures in a corpus of more than 2000 musical pieces from large historical range (ca. 600 years). and that the inferred topics have music-theoretically meaningful interpretations.
Fabian C. Moss
,
Martin Rohrmeier
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