Corpus Studies

A Three-Century Distant Listening Study of Chromaticism and Dissonance in Western Music
Sep 21, 2026 — Sep 23, 2026 Würzburg, Germany
Fabian C. Moss, Xinyi Guan, Johannes Hentschel, Martin Rohrmeier
Tonal organization in monophonic jazz solos: Putting Chord Scale Theory to the test
Sep 21, 2026 — Sep 23, 2026 Würzburg, Germany
Fabian C. Moss, Tim Eipert, Klaus Frieler
Diao Annotations for Heptatonic Pieces in the Chinese Collection of the Essen Folksong Database
Shuqi Meng, Fabian C. Moss, Martin Rohrmeier
Harmonic patterns in Brazilian choro
Mauro Orsini Windholz, David R. W. Sears, Fabian C. Moss
Studying Chord Properties from Audio: A Diachronic Analysis of Root, Bass, and Pitch-Class Content
Benedikt Henzel, Yuxuan Ding, Fabian C. Moss, Christof Weiß
Tong yun san gong theory: corpus evidence for the distinctions among three Chinese heptatonic diao
Shuqi Meng, Fabian C. Moss, Martin Rohrmeier
The Rest is Silence: Leveraging Unseen Species Models for Computational Musicology
How many composers are we missing in RISM? What percentage of medieval sources of Gregorian chant have we already cataloged? How many differences in music prints do we expect to find between editions? How large is the coverage of songs from genres of a folk music tradition? And how close are we in estimating the size of the harmonic vocabulary of a large number of composers?
Fabian C. Moss, Adrian Nachtwey, Laurent Pugin
The Rest is Silence: Leveraging Unseen Species Models for Computational Musicology
Knowing when to stop: Insights from ecology for building catalogues, collections, and corpora
Sep 26, 2025 Seoul, South Korea
Fabian C. Moss
Arcangelo Corelli – Trio Sonatas (A corpus of annotated scores)
Johannes Hentschel, Fabian C. Moss, Markus Neuwirth, Martin Rohrmeier
Corpus Research and Choro: Potential and Challenges for Digital Methods
Apr 3, 2024 2:00 PM — Mar 3, 2024 3:30 PM Universidade Federal do Rio de Janeiro
Fabian C. Moss