computational musicology

Tracing historical changes in the exploration of tonal space

Fabian C. Moss

Harmony and Form in Brazilian Choro: A Corpus-Driven Approach to Musical Style Analysis

Fabian C. Moss, Willian Fernandes de Souza, Martin Rohrmeier

Computational Musicology and the Digital Humanities: Problems, Practices, and Prospects

Feb 18, 2020 11:00 AM — 11:45 AM Universität Stuttgart, Center for Reflected Text Analytics, Raum M 51.01, Herdweg 51 (Abteilung für Digital Humanities)

Fabian C. Moss

Computational Musicology and the Digital Humanities: Problems, Practices, and Prospects

TP3C

Fabian C. Moss, Markus Neuwirth, Martin Rohrmeier

Transitions of Tonality: A Model-Based Corpus Study

Fabian C. Moss

The pleasantness of sensory dissonance is mediated by musical style and expertise

Tudor Popescu, Monja Pascale Neuser, Markus Neuwirth, Fernando Bravo, Wolfgang Mende, Oren Boneh, Fabian C. Moss, Martin Rohrmeier

Transitions of Tonality: Perspectives on the Historical Changes of Tonal Pitch Relations from Computational Musicology, Music Theory, and the Digital Humanities.

Nov 29, 2019 10:00 AM — 12:00 PM University of Cologne, Musikwissenschaftliches Institut, Alter Seminarraum (1.408)

Fabian C. Moss

Transitions of Tonality: Perspectives on the Historical Changes of Tonal Pitch Relations from Computational Musicology, Music Theory, and the Digital Humanities.

A Model Comparison for Chord Prediction on the Annotated Beethoven Corpus

Kristoffer Landnes, Liana Mehrabyan, Victor Wiklund, Robert Lieck, Fabian C. Moss, Martin Rohrmeier

Tracing the History of Tonality with Note Distributions

What can we infer about tonality from distributions of notes in musical pieces?

Jul 2, 2019 11:15 AM — 11:45 AM Bar-Ilan & Tel Aviv University

Fabian C. Moss

Tracing the History of Tonality with Note Distributions

Statistical characteristics of tonal harmony: A corpus study of Beethoven’s string quartets

Fabian C. Moss, Markus Neuwirth, Daniel Harasim, Martin Rohrmeier