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Phantom Curves: Scientific Discovery through Interactive Music Visualization
We introduce phantom curves, a novel music-theoretical concept based on the discrete Fourier transform (DFT), and document the creative process that led to their discovery
Fabian C. Moss, Giovanni Affatato, Daniel Harasim
Phantom Curves: Scientific Discovery through Interactive Music Visualization
Towards a Unified Model of Chords in Western Harmony
Johannes Hentschel, Fabian C. Moss, Andrew McLeod, Markus Neuwirth, Martin Rohrmeier
Towards a Unified Model of Chords in Western Harmony
Digitizing a 19th-Century Music Theory Debate for Computational Analysis
Nov 18, 2021 3:05 PM
Fabian C. Moss, Maik Köster, Melinda Femminis, Coline Métrailler, François Bavaud
Digitizing a 19th-Century Music Theory Debate for Computational Analysis
A Formal Model of Extended Tonal Harmony
Martin Rohrmeier, Fabian C. Moss
A Formal Model of Extended Tonal Harmony
A semi-automated workflow paradigm for the distributed creation and curation of expert annotations
Johannes Hentschel, Fabian C. Moss, Markus Neuwirth, Martin Rohrmeier
A semi-automated workflow paradigm for the distributed creation and curation of expert annotations
Digitizing a 19th-Century Music Theory Debate for Computational Analysis
Fabian C. Moss, Maik Köster, Melinda Femminis, Coline Métrailler, François Bavaud
Digitizing a 19th-Century Music Theory Debate for Computational Analysis
A Historical Analysis of Harmonic Progressions Using Chord Embeddings
Elia Anzuoni, Sinan Ayhan, Federico Dutto, Andrew McLeod, Fabian C. Moss, Martin Rohrmeier
A Historical Analysis of Harmonic Progressions Using Chord Embeddings
A Model Comparison for Chord Prediction on the Annotated Beethoven Corpus
Kristoffer Landnes, Liana Mehrabyan, Victor Wiklund, Robert Lieck, Fabian C. Moss, Martin Rohrmeier
Tonality and functional equivalence: A multi-level model for the cognition of triadic progressions in 19th century music
Fabian C. Moss