Fabian C. Moss
Fabian C. Moss
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Challenging sources: a new dataset for OMR of diverse 19th-century music theory examples
This paper introduces the 19MT-OMR corpus that can be used to test OMR models on a diverse set of sources. We illustrate this challenge by discussing several examples from this data set.
Fabian C. Moss
,
Néstor Nápoles López
,
Maik Köster
,
David Rizo
Phantom Curves: Scientific Discovery through Interactive Music Visualization
We introduce phantom curves, a novel music-theoretical concept based on the discrete Fourier transform (DFT), and document the creative process that led to their discovery
Fabian C. Moss
,
Giovanni Affatato
,
Daniel Harasim
Towards a Unified Model of Chords in Western Harmony
Johannes Hentschel
,
Fabian C. Moss
,
Andrew McLeod
,
Markus Neuwirth
,
Martin Rohrmeier
Digitizing a 19th-Century Music Theory Debate for Computational Analysis
Nov 18, 2021 3:05 PM
Fabian C. Moss
,
Maik Köster
,
Melinda Femminis
,
Coline Métrailler
,
François Bavaud
A Formal Model of Extended Tonal Harmony
Martin Rohrmeier
,
Fabian C. Moss
A semi-automated workflow paradigm for the distributed creation and curation of expert annotations
Johannes Hentschel
,
Fabian C. Moss
,
Markus Neuwirth
,
Martin Rohrmeier
Digitizing a 19th-Century Music Theory Debate for Computational Analysis
Fabian C. Moss
,
Maik Köster
,
Melinda Femminis
,
Coline Métrailler
,
François Bavaud
A Historical Analysis of Harmonic Progressions Using Chord Embeddings
Elia Anzuoni
,
Sinan Ayhan
,
Federico Dutto
,
Andrew McLeod
,
Fabian C. Moss
,
Martin Rohrmeier
A Model Comparison for Chord Prediction on the Annotated Beethoven Corpus
Kristoffer Landnes
,
Liana Mehrabyan
,
Victor Wiklund
,
Robert Lieck
,
Fabian C. Moss
,
Martin Rohrmeier
Tonality and functional equivalence: A multi-level model for the cognition of triadic progressions in 19th century music
Fabian C. Moss
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