Publications

Fabian C. Moss, Eita Nakamura (2024). Modeling the Evolution of Harmony in Popular Music from Different Cultural Contexts. CHR 2024.

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Samuel Pereira, Giovanni Affatato, Gilberto Bernardes, Fabian C. Moss (2024). Fourier Qualia Wavescapes: Hierarchical Analyses of Set Class Quality and Ambiguity. Proceedings of the 9th International Congress on Mathematics and Computation in Music (MCM2024).

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Fabian C. Moss, Robert Lieck, Martin Rohrmeier (2024). Computational modeling of interval distributions in tonal space reveals paradigmatic stylistic changes in Western music history. Humanities and Social Sciences Communications.

DOI

Fabian C. Moss (2024). Transatlantic Transformations: On Neo-Riemannian Theories. Kreative Missverständnisse oder universale Kunstgesetze?.

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Johannes Hentschel, Yannis Rammos, Fabian C. Moss, Markus Neuwirth, Martin Rohrmeier (2023). An Annotated Corpus of Tonal Piano Music from the Long 19th Century. EMR.

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Eita Nakamura, Tim Eipert, Fabian C. Moss (2023). Historical Changes of Modes and their Substructure Modeled as Pitch Distributions in Plainchant from the 1100s to the 1500s. Proceedings of the 16th International Symposium on Computer Music Multidisciplinary Research (CMMR 2023) , Tokyo, Japan, 13th-17th November 2023, pp. 450-461.

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Tim Eipert, Fabian C. Moss (2023). MonodiKit: A data model and toolkit for medieval monophonic chant. DLfM ‘23.

Code Dataset DOI

Fabian C. Moss (2023). Vorsicht, Sackgasse! Ein Plädoyer für mehr Intradisziplinarität. musiconn.kontrovers.

Source Document English version

Fabian C. Moss, Néstor Nápoles López, Maik Köster, David Rizo (2022). Challenging sources: a new dataset for OMR of diverse 19th-century music theory examples. Proceedings of the 4th International Workshop on Reading Music Systems (WoRMS 2022).

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Fabian C. Moss, Giovanni Affatato, Daniel Harasim (2022). Phantom Curves: Scientific Discovery through Interactive Music Visualization. DLfM2022.

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Johannes Hentschel, Fabian C. Moss, Andrew McLeod, Markus Neuwirth, Martin Rohrmeier (2022). Towards a Unified Model of Chords in Western Harmony. MEC Proceedings 2021.

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Fabian C. Moss, Markus Neuwirth, Martin Rohrmeier (2022). The line of fifths and the co-evolution of tonal pitch-classes. JMM.

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Cédric Viaccoz, Daniel Harasim, Fabian C. Moss, Martin Rohrmeier (2022). Wavescapes: A visual hierarchical analysis of tonality using the discrete Fourier transform. Musicae Scientiae.

DOI

Fabian C. Moss, Martin Rohrmeier (2021). Discovering Tonal Profiles with Latent Dirichlet Allocation. Music & Science, 4, 1-15.

Code DOI

Fabian C. Moss, Markus Neuwirth (2021). FAIR, Open, Linked: Introducing the Special Issue on Open Science in Musicology. Empirical Musicology Review, 16(1), 1-4.

DOI

Martin Rohrmeier, Fabian C. Moss (2021). A Formal Model of Extended Tonal Harmony. Proceedings of the 22nd International Society for Music Information Retrieval Conference.

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Johannes Hentschel, Fabian C. Moss, Markus Neuwirth, Martin Rohrmeier (2021). A semi-automated workflow paradigm for the distributed creation and curation of expert annotations. Proceedings of the 22nd International Society for Music Information Retrieval Conference.

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Fabian C. Moss, Maik Köster, Melinda Femminis, Coline Métrailler, François Bavaud (2021). Digitizing a 19th-Century Music Theory Debate for Computational Analysis. CHR 2021: Computational Humanities Research Conference, November 17–19, 2021, Amsterdam, The Netherlands.

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Steffen A. Herff, Fabian C. Moss, Martin Rohrmeier (2021). Evidence for cognitive tonal hierarchies in cadential but not scalar contexts. Open Science Framework.

PDF Code Dataset

Elia Anzuoni, Sinan Ayhan, Federico Dutto, Andrew McLeod, Fabian C. Moss, Martin Rohrmeier (2021). A Historical Analysis of Harmonic Progressions Using Chord Embeddings. Proceedings of the 18th Sound and Music Computing Conference.

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Daniel Harasim, Fabian C. Moss, Matthias Ramirez, Martin Rohrmeier (2021). Exploring the foundations of tonality: statistical cognitive modeling of modes in the history of Western classical music. Humanities and Social Sciences Communications, 8(5), 1-11.

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Robert Lieck, Fabian C. Moss, Martin Rohrmeier (2020). The Tonal Diffusion Model. Transactions of the International Society of Music Information Retrieval, 3(1), 153-164.

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Fabian C. Moss, Willian Fernandes de Souza, Martin Rohrmeier (2020). Harmony and Form in Brazilian Choro: A Corpus-Driven Approach to Musical Style Analysis. Journal of New Music Research 49(5).

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Fabian C. Moss, Markus Neuwirth, Martin Rohrmeier (2020). TP3C. Zenodo.

Dataset DOI

Fabian C. Moss (2019). Transitions of Tonality: A Model-Based Corpus Study. Doctoral Dissertation. École Polytechnique Fédérale de Lausanne, Switzerland.

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Tudor Popescu, Monja Pascale Neuser, Markus Neuwirth, Fernando Bravo, Wolfgang Mende, Oren Boneh, Fabian C. Moss, Martin Rohrmeier (2019). The pleasantness of sensory dissonance is mediated by musical style and expertise. Scientific Reports, 9(1).

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Kristoffer Landnes, Liana Mehrabyan, Victor Wiklund, Robert Lieck, Fabian C. Moss, Martin Rohrmeier (2019). A Model Comparison for Chord Prediction on the Annotated Beethoven Corpus. Proceedings of the 16th Sound & Music Computing Conference (SMC 2019).

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Fabian C. Moss, Markus Neuwirth, Daniel Harasim, Martin Rohrmeier (2019). Statistical characteristics of tonal harmony: A corpus study of Beethoven’s string quartets. PLOS ONE, 14(6).

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Fabian C. Moss, Willian Fernandes Souza, Martin Rohrmeier (2018). Choro Songbook Corpus. Zenodo.

Dataset DOI

Markus Neuwirth, Daniel Harasim, Fabian C. Moss, Martin Rohrmeier (2018). The Annotated Beethoven Corpus (ABC): A Dataset of Harmonic Analyses of All Beethoven String Quartets. Frontiers in Digital Humanities.

PDF DOI

Fabian C. Moss (2017). [Review of David Huron. Voice Leading: The Science behind a Musical Art]. Music Theory & Analysis.

DOI Preprint

Fabian C. Moss (2014). Tonality and functional equivalence: A multi-level model for the cognition of triadic progressions in 19th century music. International Conference of Students of Systematic Musicology - Proceedings.

PDF Link

Fabian C. Moss (2012). Theorie der Tonfelder und Neo-Riemannian Theory.

Fabian C. Moss (2011). Albert Simons Theorie der Tonfelder und John Cloughs Flip-Flop Circles im Vergleich. Zenodo.

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