Corpus Studies and Stylometry
Dec 28, 2021

Which patterns do emerge when we move from analyzing individual cultural artefacts to collections? Can we create datasets that are reprentative for a certain historical period or style? Is it possible to observe trajectories that allow us to speak of cultural evolution?

Fabian C. Moss
Assistant Professor for Digital Music Philology and Music Theory
Fabian C. Moss is an assistant professor for Digital Music Philology and Music Theory at Julius-Maximilians University Würzburg (JMU), Germany.
Publications
In this study, we use the Latent Dirichlet Allocation (LDA) topic model to discover tonal structures in a corpus of more than 2000 musical pieces from large historical range (ca. 600 years). and that the inferred topics have music-theoretically meaningful interpretations.
Fabian C. Moss,
Martin Rohrmeier
Elia Anzuoni,
Sinan Ayhan,
Federico Dutto,
Andrew McLeod,
Fabian C. Moss,
Martin Rohrmeier
Daniel Harasim,
Fabian C. Moss,
Matthias Ramirez,
Martin Rohrmeier
Robert Lieck,
Fabian C. Moss,
Martin Rohrmeier
Fabian C. Moss,
Willian Fernandes de Souza,
Martin Rohrmeier
Fabian C. Moss,
Markus Neuwirth,
Martin Rohrmeier
Fabian C. Moss
Kristoffer Landnes,
Liana Mehrabyan,
Victor Wiklund,
Robert Lieck,
Fabian C. Moss,
Martin Rohrmeier
Fabian C. Moss,
Markus Neuwirth,
Daniel Harasim,
Martin Rohrmeier
Fabian C. Moss,
Willian Fernandes Souza,
Martin Rohrmeier
Markus Neuwirth,
Daniel Harasim,
Fabian C. Moss,
Martin Rohrmeier
Events
In the present study, we adapt and apply numerical methods from computational literary studies and natural language processing, such as text classification and topic modeling, to the Thesaurus Musicarum Italicarum, a corpus of more than thirty Renaissance and Baroque Italian music theory treatises. We discuss the extent to which distant and close reading are mutually beneficial by critically evaluating the results of our analyses.
Aug 22, 2022 12:32 PM — Aug 26, 2022 12:32 PM
Athens, Greece
Fabian C. Moss,
Coline Métrailler
Nov 24, 2021 — Nov 25, 2021
SwissTech Convention Center
Fabian C. Moss
Sep 28, 2021 — Oct 1, 2021
Universität Bonn, Abteilung für Musikwissenschaft/Sound Studies und Beethoven-Archiv des Beethoven-Hauses Bonn
Fabian C. Moss,
Markus Neuwirth,
Martin Rohrmeier
Mar 7, 2021 6:40 PM — 7:00 PM
The Ohio State University [online]
Fabian C. Moss,
Markus Neuwirth,
Martin Rohrmeier
Dec 9, 2020 6:00 PM — 6:20 PM
Universidade Federal do Rio de Janeiro [online]
Fabian C. Moss
Nov 25, 2020 12:00 PM — 1:30 PM
Musikwissenschaftliches Seminar, Universität zu Köln [online]
Fabian C. Moss
Sep 14, 2020 3:00 PM — 4:30 PM
University of York [online]
Fabian C. Moss
What can we infer about tonality from distributions of notes in musical pieces?
Jul 2, 2019 11:15 AM — 11:45 AM
Bar-Ilan & Tel Aviv University
Fabian C. Moss
Mar 25, 2019
Cambridge University
Fabian C. Moss
On the usefulness of pitch-class distributions for Digital Musicology
Feb 22, 2019
University of Basel
Fabian C. Moss
Jul 24, 2018 11:10 AM — Jul 24, 2017 11:30 AM
University of Graz
Fabian C. Moss,
Willian Fernandes Souza,
Martin Rohrmeier
Apr 30, 2018 10:00 AM — 12:00 PM
University of Basel
Fabian C. Moss
Brazilian Choro: A New Data Set of Chord Transcriptions and Analyses of Harmonic and Formal Features
Nov 17, 2017 3:00 PM — 3:30 PM
Universität für Musik und darstellende Kunst Graz
Fabian C. Moss,
Willian Fernandes Souza,
Martin Rohrmeier
Sep 29, 2017 9:30 AM — 10:00 AM
Universität Kassel
Fabian C. Moss,
Daniel Harasim,
Markus Neuwirth,
Martin Rohrmeier
May 17, 2017 5:45 PM — 6:15 PM
Université de Tours
Daniel Harasim,
Fabian C. Moss,
Markus Neuwirth,
Martin Rohrmeier