Fabian C. Moss
Fabian C. Moss
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music theory
DigiMusTh
Aufbau einer offenen digitalen Sammlung historischer musiktheoretischer Texte aus dem deutschsprachigen Raum anhand von Beispielen aus dem 19. Jahrhundert
Fabian C. Moss
Modeling the Evolution of Harmony in Popular Music from Different Cultural Contexts
Here, we introduce music-theoretically sensible notions of harmonic distance between chords, that allows us to arrive at more fine-grained results regarding relative influences of different kinds of harmonic relations on diachronic changes.
Fabian C. Moss
,
Eita Nakamura
Digital Choro
Exploring the potential of digitization and computational models for Brazil’s musical cultural heritage
Fabian C. Moss
Virtual Tonal Spaces (VTS)
Towards an interactive digital environment for music theory
Fabian C. Moss
The line of fifths and the co-evolution of tonal pitch-classes
In this study, we determine the fundamental role of the line of fifths for the organization of tonal material by applying dimensionality reduction to a large historical corpus of pitch-class counts (ca. 1360–1940). We observe a historically growing trend in the exploitation of the fifths range, i.e. the size of segments that pitch-class distributions cover on the line of fifths. Moreover, we introduce the novel concept of pitch-class (co-)evolution.
Fabian C. Moss
,
Markus Neuwirth
,
Martin Rohrmeier
midiVERTO
Enabling interactive music visualization for a wider community
Fabian C. Moss
,
Daniel Harasim
,
Giovanni Affatato
Digitizing the Dualism Debate
a case study in the computational analysis of historical music theory sources
Fabian C. Moss
,
François Bavaud
,
Colline Métrailler
,
Maik Köster
,
Melinda Femminis
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