Fabian C. Moss
Fabian C. Moss
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computational musicology
Harmonic patterns in Brazilian choro, Western classical, and Anglophone popular music: a data-driven comparison
Mauro Orsini Windholz
,
David Sears
,
Fabian C. Moss
Towards a generative model of medieval chant
Tim Eipert
,
Fabian C. Moss
Encoding polymeter: A corpus of Hugo Distler’s «Der Jahrkreis» op. 5 in different symbolic formats
Jul 2, 2026
Thessaloniki, Greece
Fabian C. Moss
,
Lucas Hofmann
,
Craig W. Sapp
Mapping the space of harmonic cadences between Brazilian choro, jazz and Anglophone popular music
Jul 2, 2026
Thessaloniki, Greece
Fabian C. Moss
,
M. Windholz
Mapping the space of harmonic cadences between Brazilian choro, jazz and Anglophone popular music
This paper reports on an experiment extends a methodology to analyze and compare harmonic progressions at moments of formal segmentation in different styles based on corpora of Roman numeral annotations, and deploys it to the styles of Brazilian choro, Anglophone popular and jazz music.
Mauri Orsini Windholz
,
Fabian C. Moss
Artificial Intelligence (not) Listening to the World’s Musics
Jan 7, 2026
Würzburg, Germany
Fabian C. Moss
A Bayesian Approach to Modality and Regionality in Medieval Chant
Tim Eipert
,
Christoph Finkensiep
,
Fabian C. Moss
Diao Annotations for Heptatonic Pieces in the Chinese Collection of the Essen Folksong Database
Shuqi Meng
,
Fabian C. Moss
,
Martin Rohrmeier
Harmonic patterns in Brazilian choro
Mauro Orsini Windholz
,
David R. W. Sears
,
Fabian C. Moss
Studying Chord Properties from Audio: A Diachronic Analysis of Root, Bass, and Pitch-Class Content
Benedikt Henzel
,
Yuxuan Ding
,
Fabian C. Moss
,
Christof Weiß
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