I am a postdoctoral researcher in the Digital and Cognitive Musicology Lab (DCML) at École Polytechnique Fédérale de Lausanne (EPFL, Switzerland). Working with large symbolic datasets of musical scores and harmonic annotations, I am primarily interested in Computational Music Analysis, Music Theory, Music Cognition, and their mutual relationship.

Currently, I am working for the project Distant Listening: The Development of Harmony over Three Centuries (1700–2000), funded by the Swiss National Science Foundation (PI: Martin Rohrmeier), that aims at providing a large-scale corpus-based account of the historical development of harmony in Western tonal music.

In 2021, I am directing the project Digitizing the Dualism Debate: A Case Study in the Computational Analysis of Historical Music Sources (with François Bavaud and Coline Métrailler, Université de Lausanne), supported by the EPFL-UNIL funding scheme CROSS - Collaborative Research on Science and Society.


  • Computational Musicology
  • Music Theory
  • Music Cognition
  • Digital Humanities


  • PhD in Digital Humanities, 2019

    École Polytechnique Fédérale de Lausanne, Lausanne Switzerland

  • Staatsexamen Lehramt für Gymnasien und Gesamtschulen (Mathematik, Musik, Erziehungswissenschaft), 2016

    Universität zu Köln, Germany

  • MA in Musicology, 2012

    Hochschule für Musik und Tanz, Köln, Germany