I am a postdoctoral researcher in the Digital and Cognitive Musicology Lab (DCML) at École Polytechnique Fédérale de Lausanne (EPFL, Switzerland). Working with large symbolic datasets of musical scores and harmonic annotations, I am primarily interested in Computational Music Analysis, Music Theory, Music Cognition, and their mutual relationship.
Currently, I am working for the project Distant Listening: The Development of Harmony over Three Centuries (1700–2000), funded by the Swiss National Science Foundation (PI: Martin Rohrmeier), that aims at providing a large-scale corpus-based account of the historical development of harmony in Western tonal music.
In 2021, I am directing the project Digitizing the Dualism Debate: A Case Study in the Computational Analysis of Historical Music Sources (with François Bavaud and Coline Métrailler, Université de Lausanne), supported by the EPFL-UNIL funding scheme CROSS - Collaborative Research on Science and Society.
PhD in Digital Humanities, 2019
École Polytechnique Fédérale de Lausanne, Lausanne Switzerland
Staatsexamen Lehramt für Gymnasien und Gesamtschulen (Mathematik, Musik, Erziehungswissenschaft), 2016
Universität zu Köln, Germany
MA in Musicology, 2012
Hochschule für Musik und Tanz, Köln, Germany